Peaches Christ Exposed: Summer Madness on Deck for the Castro

Peaches Christ serving 'face'.

Peaches Christ serving ‘face’.

Peaches Christ-aka Joshua Grannell-is a San Francisco drag-terrorist/cult leader, emcee and award-winning horror film director, writer and co-star of 2010′s ‘All About Evil’. Peaches first burst onto the City’s club scene in the early, heady, years of Heklina’s world infamous club, Trannyshack, held weekly at The Stud in SoMa.

In 1998 Peaches established the wildly popular Midnight Mass movie series at the now shuttered Landmark Bridge Theatre. There she produced original stage show interpretations of her high camp/cult favorite midnight movies as pre-show entertainment to standing room only crowds. In addition to the films she often scooped up special guest stars to pay the stage a visit as well-Mink Stole, Tura Satana, Linda Blair, RuPaul, Elvira (Mistress of the Dark) and John Waters to name but a few have held court alongside PC. As the productions and crowds outgrew the capacity of The Bridge Peaches relocated most of these spectacles-er-spectaculars to the Castro Theatre where they’ve continued to attract sold out audiences.

She gave the Biscuit a sneak peek into the upcoming Peaches Christ Summer Series at the Castro and the 40th celebration staging of The Rocky Horror Picture Show with special guest star, Patricia Quinn.
Peaches Christ: Hey! (gasping) Sorry-outta breath from running up some stairs.
Castro Biscuit: UH. Huh. (dripping with sexual innuendo) Shhhuuuree.
PC: (Laughing) Oh girl, no. Its a work day.
CB: So what’s on deck over at The Castro this coming Summer? I heard there’s going to be four events?

Mark Patton in 'Nightmare on Elm St. Part 2: Freddy's Revenge

Mark Patton in ‘Nightmare on Elm St. Part 2: Freddy’s Revenge

PC: Yes! First up in June is Night of a 1000 Scream Queens, ‘A Nightmare on Elm Street 2: Freddy’s Revenge’ with special guest star Mark Patton thats co-presented with Frameline. It’s possibly the gayest horror movie ever made. In July we’re showing ‘The Craft’ and I’ve got a couple of my friend’s from RuPaul’s Drag Race, Alaska Thunderfuck and Sharon Needles set to help with the pre-show madness. In August its my annual presentation of the crowd favorite and Midnight Mass staple, ‘Showgirls’-free lap dance with every large popcorn purchased of course. And for Halloween we’re gonna close out the season with ‘Gray Gardens’ starring ‘RuPaul’s Drag Race’ 2013 winner, Jinkx Monsoon. She’ll be recreating her role from the Season 5 contest as Lil’ Edie while I’ll be her foil, Big Edie, in the pre-show.
CB: Which upcoming Castro show are you most excited about?
PC: I’m always excited about whatever comes next in the schedule to be honest. Its been my dream to bring the only boy ‘scream queen’ of horror films, Mark Patton to San Francisco for Midnight Mass. I ran into him randomly when I wandered into his fantastic shop in Puerto Vallarta, It’s really cool-stuffed with glitter encrusted handbags and Mexican folk art. We hit it off and hatched this plan. I had to include Frameline as its Gay Pride and all the Queer subtext of the film is so interesting. Mark’s character in ‘Freddie’s Revenge’ is the lone, male survivor in the film series ever.


CB: It’s cool that you’re bringing Alaska and Sharon in for roles in the pre-show for everyone’s favorite Goth 90′s Witch-fest, ‘The Craft’. What’s it been like for Peaches to work with so many of the contestants and winners of RuPaul’s Drag Race?
PC: It’s really opened the doors for us on every level. Their fame extends deeply into the drag culture the world over. Outside of SF mine has been primarily within the Horror/Gore film buff community. Now we’re seeing new fans and admirers the world over tuning in as a result of our association. I mean you have no idea just how popular they all are. It’s kind of mind-boggling. I am honored to be friends with these talented gals and can’t wait to see what our collaborations are going to accomplish.
CB: This weeks event celebrating the 40th anniversary of the Rocky Horror Picture Show is quite a departure from your usual Midnight Mass formula.
Peaches Christ RHPS 40th AnniversaryPC: I can honestly say this is the most lavish and involved staging of any show I’ve ever attempted and the first we’ve ever done without showing the movie. The initial idea was our special guest star, Patricia Quinn, who played Magenta in the original film.  We’re really lucky to have her here-it’s her first visit to San Francisco. I’m so excited-the cast is superb, we’ve got great singers and musicians-we’ve rehearsed our feet off and there are gonna be some surprises that people aren’t expecting. The cherry on top is Patricia Quinn, reprising her role as Magenta and singing all of her iconic songs.
CB: What’s it been like working alongside Patricia? I mean her career has been so long and varied from being on the holy grail of UK Sci Fi, ‘Dr. Who’, to working with the kings off all things humor, Monty Python’s Flying Circus.
RHPS PatriciaQuinnPC: Well, she’s a real royal ‘Lady’. I mean it. She was married to the late actor Robert Stephens who was knighted by Queen Elizabeth which makes her Lady Stephens. She has some great stories about the Royals and I hope I can convince her to share some during this week ends event. She’s so much fun. She has impeccable style and taste. I really admire her so very much.
CB: Wow. A Lady?! It’s not everyday an Irish lass from Belfast becomes a member of English royalty! How many shows are there?
PC: Three in all. Friday May 10th and two shows on Saturday May 11th a matinée and an evening show. I’m so excited I can hardly wait!

You can purchase tickets to the 40th anniversary celebration and uniquely San Francisco Peaches Christ staging of the Rocky Horror Picture Show here.
Tickets to any of the coming movies and stage shows this Summer and Fall staged at the world-famous Castro Theatre can be found here.

Scissor Sister’s Ana Matronic on Loving SF, New Projects & Finding Fulfillment

Ana Matronic in all her Glam glory. Photograph: Karen Robinson

Ana Matronic in all her Glam glory. Photograph: Karen Robinson

Ana Matronic, best known to audiences as the lone female founding member of the decidedly Queer dance/rock outfit Scissor Sisters, who’ve recorded four critically acclaimed albums, earned three BRIT awards, and played to enthusiastic, adoring audiences worldwide.

Ana and I became pals when her star first began to rise here in San Francisco in the mid 90′s when she broke out among the early artist innovators at Heklina’s infamous Trannyshack club held every Tuesday nights at The Stud. She was the first woman, or ‘faux queen’ as the title has now evolved, to compete for the crown in the coveted ‘Miss Trannyshack’ contest. She nearly won. Her Pop’s & Lock dance skills were riveting and rival that of any dancer who ever graced the stage on ‘Soul Train’.

Ana Matronic & Seth Kirby Photo: Camera Press

Ana Matronic & Seth Kirby Photo: Camera Press

These days she’s blossomed into a full on Renaissance woman: performer, musician, writer and artist. Her jam-packed creative schedule includes: full-length solo album currently in the works and set for release later this year. She’s a member of the Joshua Light Show, carrying on the tradition of hand-manipulated live psychedelic imagery using liquids on an overhead projector. Her work features prominently in Liquid Loops II, a digital document of current liquid techniques. In 2010, she contributed a chapter to CBGB: The Comic Book and is currently working on her own comic series. She has also recorded and performed with New Order, Duran Duran, and Rupaul’s Drag Race winner Sharon Needles.

This coming week she returns home to San Francisco for two events accompanied by her husband, the artist Seth Kirby, and one of her best friends, Juanita MORE. Up first: Wednesday, a intimate performance experience at Juanita and Joshua J’s popular, long running weekly event, Booty Call Wednesdays at  the Castro’s QBAR and then, Sunday, April 28th, ‘Shall We Kiki’ over at Public Works.

The Biscuit caught up with Ana by phone in of all place Davis, California-
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Lets Have Some Fun

The Castro is always packed to the gills with event choices that are fun and interesting to do. In the next week there are several excellent choices to go check out that fall outside of the usual, same ol same ol, club nights.

Poster for the 14th Annual SF Bluegrass & Old Time Music Festival

Poster for the 14th Annual SF Bluegrass & Old Time Music Festival

Over at Cafe Du Nord and the Swedish American Hall (2170 Market) the neighborhood’s only live music venue, the 14th Annual San Francisco Bluegrass and Old Time Music Festival is in full swing. The festival is held at different locals throughout the Bay Area, but, in SF its home away from home is Cafe Du Nord.

SF is one of the cultural, urban epicenters for Bluegrass and Old Time music. The genre found an audience here during its early days of popularity when Bluegrass first gained nationwide attention. That love affair continues with this music rooted in Irish/Scottish folk disciplines crossed with African-American Blues and unique Americana country elements into today with this festival.

Cafe Du Nord, built in 1907 named one of Americas top 40 ‘Live Music Venues’ by Paste magazine, has always been a great spot to see a show. If you’ve never experienced Bluegrass this is a fantastic opportunity to step outside of your musical comfort zone give it a whirl with some of the best examples of the genre currently around.

The full calendar is contained within the link but tonight, Saturday the 16th, features two choices to try.  First, downstairs at the Cafe, its new, ’Alternative Bluegrass’, sounds with The Fucking Buckaroos, Big Jugs and Supermule. Doors are at 8, tickets, $15, 21+.

Option Two, upstairs at the Swedish American Hall, you can lose your mind with the Festivals official Square Dance event featuring Triple Chicken Foot, Knuckle Knockers and special guest caller, Jordan Ruyle. All levels of dancers welcome. The Square Dance is  ALL AGES so everyone can come and join in. $15, Doors at 7.

 

Our second major plug for where to spend your hard-earned entertainment buck is over at the historic Castro Theatre (429 Castro). They’re playing host to a showing of the brilliant, 2011, intimate documentary on Diana Vreeland, legendary fashion editor and icon aptly titled, ‘Diana Vreeland : The Eye Has To Travel’. 
Diana Vreeland-The Eye Had To Travel, billboard ad touting it's merits.

Diana Vreeland-The Eye Had To Travel, billboard ad touting it’s merits.

 

This special screening event takes place on Wednesday, Feb. 20th. Banana Republic is sponsoring and the film’s director, Lisa Vreeland who married the late editor’s grandson, will be on hand to take Q&A’s from the audience. There will also be a cocktail party at 7 PM pre 8PM movie showing.

Diana Vreeland’s influence on fashion is without parallel. Her time as Fashion Editor at Harper’s Bazaar, 1936-1962, and then Editor-in-Chief at fashion powerhouse Vogue, 1963-1971, heralded a time of great change within the world of women’s apparel, society, politics and what role a woman played in every aspect of life itself.

Known as the ‘Empress of Fashion’, Ms. Vreeland was named to every ‘Best Dressed’ list ever assembled, broke new ground in fashion from her first editorial she ever headed at Harper’s and also helped nurture and curate an ongoing interest in fashion as art and historical artifact by heading up the Costume Institute at the ever influential NY Metropolitan Museum of Art. This woman’s life is worth knowing and this film is a love letter to her spirit and drive. Tickets are $12, can be purchased in advance here.

 

Joey Arias’ Love Letter to San Francisco Swings into Castro for Valentines Day

Joey Arias Over the Moon

Joey Arias Over the Moon

Joey Arias, cabaret star and NYC legend, returns to the Castro Theatre on Valentine’s Day after a two-year absence with a show he describes as, “a love letter to San Francisco”.

Joey Arias first gained the national spotlight in 1979 when he appeared with the late Klaus Nomi singing back up for David Bowie on Saturday Night Live shocking sleepy, soon to be Reagan America with their version of gender fuck drag.

As the repressive 80′s dawned downtown Manhattan erupted with clubs, art, and inventive expression all fueled by an elite crew known as the Downtown 500. Joey found himself center stage amongst these ground breakers like Jean Michel Basquiat, Kieth Haring, Ann Magnuson, Fab Freddy Five just to name a few.

I met him at Club 57 where he ruled the world one song at a time developing a signature style that was an homage to jazz great Billie Holiday.

In the 90′s Joey produced a show called ‘Strange Fruit‘ based on his interpretations of the great Lady Day. He blazed trails at Bar d’O with weekly shows that showcased many of NY’s rising talents.

In the ‘one day you’re in the next day you’re out’ sphere of entertainment Joey has managed to keep himself and his art fresh and current. He  singularly developed the role of Seductress Ringmaster for Cirque Soliel’s popular show, Zumanity at the start of the 21st century.

I caught up with Joey by phone as he paused for a moment post lunch, pre evening show, at Joe’s Pub in the East Village where he’s been dabbling with new material that runs the gamut of Metal to Medieval.

Castro Biscuit: Hey Joey!
Joey Arias: Hey gurl, hey. (laughing) How you been?
CB: I’m good. It’s been awhile since we last talked. How stoked are you to be coming to San Francisco?
JA: Completely! I love San Francisco. I mean I left my heart there just like everybody else.
CB: I’m excited to see you. How long has it been since you were here last? Rrazz Room show?
JA: No. I think when I preformed with Pink Martini and the SF Orchestra. I’m really excited this show is a giant love letter to the City and all the things I’ve always been inspired by that originated from there. The Cockettes, Sylvester, the underground theatre scene, all of it.
CB: So what can the audience expect to hear?
JA: I think love swings in different directions and these songs I’ve chosen reflect that. I want to think beyond borders. Love, ts about the presence-about what the meaning of life. Songs that showcase love in all it’s many forms. Of course I’m gonna do some modern classics too. 
CB: Seems you’ve packed in the talent for show as well.
JA: I LOVE Veronica Klaus. Her new album, ‘Something Cool’, is great. Connie Champagne is gonna add her fabulous voice and then we’re gonna mix it up with a fashion show from one of San Francisco’s biggest talents, Mr. David.
CB: Wow. You and Marc have really created quite a program.
JA: Baby, it’s at the Castro Theatre, a classic, an icon, you’ve got to come big.
CB: You sound ready to serve it.
JA: All in the name of love, baby! (laughing) Mwwhhaa!

Joey Arias X Travaganza!Marc Huestis Presents, in association with Earl Dax, Valentine’s Day Concert X-Travaganza- JOEY ARIAS- Love Swings!

Curtain is 8 pm, Thursday, Feb 14 at the Castro Theatre.

Tickets available via:
www.ticketfly.com

or call 415 863-0611

$28 Balcony/ General Seating
$38 Orch Side/ General Seating
$75 VIP Orch Center Reseved + VIP after Reception.

 

 

2/11: 8 PM UPDATE: In celebration of the Pope’s resignation Marc Huestis and company are offering a ONE DAY SPECIAL for JOEY ARIAS’ VD Day Spectacular- Orch Side seats for only $20. Go to link below and type in the code REDHOT. Only 50 tix offered at this price so ACT NOW. They will SELL OUT! 
http://www.ticketfly.com/purchase/eventV2/195613?utm_medium=bks

Flickr Find: Cello Street Quartet

From Flickr user throgers comes this nicely framed photo of the Cello Street Quartet playing outside the whimsically decorated storefront of Cliff’s Variety Store in the Castro.

The Cello Street Quartet features 4 fantastic cellists: Gretchen Claassen, Matthew Linaman (a very handsome, personable gentlemen I had the pleasure of meeting at Orphan Andy’s one day), Andres Vera, and the quartet’s main music arranger, Adam Young. Their melodic musical arrangements range from classical pieces to modern works such as songs by Muse, Cyndi Lauper, Eurythmics, Lady Gaga and Queen.

When they’re not in the Castro on a Friday or Saturday night playing tunes for the stumbly masses they can be found at one of the underground MUNI/BART stations downtown or other random street corners.

If you have the chance to stop and listen, I highly recommend doing so for at least one piece. Feel free to throw them a few bucks, too or follow them on Facebook.

Watch them perform Bad Romance by Lady Gaga: